Friday, 14 April 2017

Palm Sunday: Artsy Leaves And Religion

When I was a kid, on Palm Sunday, I always looked forward to getting my 'palaspas', or coconut leaves, that were woven and turned into artful forms, such as crosses, bird figures, triangular shapes, and cubes. 

I knew there was some religious significance to bringing these lukay, as we call it in Hiligaynon, to the church because they always ended up at my Nanay's altar. But for me, as a kid, I was fascinated by how a simple coconut leaf could be turned into artsy figures after some folding and creativity. And the artists who created those creative fronds I got when I was a kid lived in the haciendas. Their mastery of this art was just learned from neighbors.

Luckily, I always got mine from my grandmother, who always forced my relatives living in the farm to give me any artsy lukay I wanted. What can I say? My grandma spoiled me. Ha-ha-ha!

These palaspas were brought to the church to be blessed by the priest, and after the Mass, some people placed this at their altar at home, or at their door to keep away evil, and ward off gossipy neighbors and loan collectors. Ha-ha-ha!

This year, the palaspas carried by the Catholic faithful to the city plaza were mostly bought from the church grounds sold by enterprising 'artists' from the haciendas, who now knew how to monetize their art. For 20 pesos each, you can have your palaspas without having to climb a coconut tree. Ha-ha-ha!

At school, we were taught that the tradition of waving these palaspas came from the Bible when Jesus entered Jerusalem and was welcomed by people waving palm leaves. And since palm trees are scarce in the Philippines, we turned to what we have a lot: coconut trees!

Well, had Jesus been welcomed into one of the rural villages in the Philippines, He would have been greeted, not only with the waving of artsy coconut leaves, but also with fresh coconut water (or buko juice!) and freshly baked buko pie! And Jesus probably would never have left!

And that morning at our city plaza, where Father Bonsoy led his parishioners at the blessing of their coconut palaspas, I was just glad that the tradition continues. Although I no longer felt like having my own palaspas to wave, I was just happy I was there to watch a lot of people do.

So, did you have your artsy palaspas blessed, too?

Thursday, 13 April 2017

Oración: The Painting and The Prayer

I remember when I was a kid, when the church bells rang three times before dusk and after the afternoon Mass, everyone who was a Catholic would stand still when caught on the sidewalk and faced towards the direction of the parish church. If you were home, you'd stand up, turn towards the church, and murmur the prayer.

The bells called on the Catholics to pray the Angelus, or the oración, the reciting of three versicles from Bible verses. This practice, originated by monks in the 13th century, is recited three times during the day: morning, noon, and evening.

I remember when we recited the Angelus at school properly and loudly, and without haste and any bell ringing, it would probably take about three minutes to recite.

But I wondered. Why was it that when the bells of the parish church rang three times, the interval between the first ring, which signified the start of the prayer, and the last ring, was probably only 60 seconds?  Surely, with 237 words (yes, I used Microsoft Word to count the words) in the English version of the Angelus, one would have to really spill the prayer out quick, so as to finish the whole thing within a minute.

Was the person ringing the bell in a hurry to go home? Or, he probably thought those caught in the sidewalk were hurrying home. At least he was thoughtful.

And after the Angelus at home, we would make 'mano' (Spanish word for hand), or hold the hand of our matriarch, Tita Luz, and bring it to touch our forehead as a sign of reverence and respect to our elders.

These days, the Angelus is now broadcast from the church steeple in a recording by a male voice at around six in the evening. But wouldn't it be more inviting if it were a female voice which would lead the prayer? Perhaps, some lady with an angelic voice because, as the first versicle proclaims, "the angel of the Lord declared unto Mary", I would expect an angel's voice to be calm, relaxing, and, well, female. But I was taught that angels actually don't have any gender, but based on the paintings I saw of angels, they all look feminine.  

Oh, well. 
            (A family faces towards the direction 
              of the church to pray the oración)

But in this painting by the legendary Fernando Amorsolo, the family stays still, is facing the setting sun, and praying the oracíon. This rural setting amidst the rural and natural landscape is Amorsolo's signature, and here, in his play of light, his other signature, he shows us a Filipino family's moment of prayer and gratitude at the end of a day's work, bathing the scenery in greens, shadows, and calmness. Even the carabao seems to join in prayer as well. 

I grew up in the countryside with some days spent in the hacienda amidst fruit orchards and sugarcane fields. And this painting, when I saw it during my visit at the National Museum of the Philippines, brought back childhood memories of those days in Hacienda Dapdap when my grandmother brought me with her. Yes, there were a lot of carabaos, too.

And while the painting would probably even lead you to join the family in prayer, it's Amorsolo's interpretation and mastery of the art that enable you to connect with his portrayal of life and faith.

                            *   *   *   *   *


        (This painting by Philippine National Artist 
                for Painting, Fernando Amorsolo,  
                  done in 1959, was on display at 
          the National Museum of the Philippines)

Thursday, 6 April 2017

A Philippine Heritage Home: Iloilo City's Camiña Balay Nga Bato

Visiting a heritage house always gives you a peek, not only into the former residents' way of life, but also into a culture's past.

I'm lucky I live in a place where a few heritage houses still stand, and in Silay City in the Philippines, I have been into a couple of its heritage homes: the Balay Negrense and the Jalandoni Mansion, and there's The Ruins in the neighboring Talisay City. But the latter is actually a hollow remnant of a mansion, bereft of furnishings and soul.

Luckily, I was able to visit the most famous heritage home in the Negros Island: the Gaston Family's mansion in Manapla. Together with my family, I dropped by one morning to visit Monsignor Guillermo 'Gigi' Gaston, who lives in the mansion. Compared to other heritage houses, which are now museums, the Gaston Mansion in Manapla is still a residence.

It has been featured in several period movies, the most famous of which is the classic Oro, Plata, Mata.



But across the Iloilo Strait, in Panay Island, specifically in Iloilo City, there are a lot of heritage homes, too. And during our trip to Iloilo City to watch the Dinagyang Festival, we dropped by Camiña Balay nga Bato in the Arevalo District of the city.

This heritage home of the Melecoton-Avanceña family was completed in 1865 (after a five-year construction), and stands on Osmena Street in the Arevalo District of Iloilo City, Philippines.


             (Batirol for making tablea tsokolate)


Thanks to my friend Wendy, who's from Iloilo, for suggesting this tourist spot as one of our stops during the Dinagyang Festival. We were able to tour this home and enjoy a cup of tablea tsokolate.

And thanks to Manong Junior for driving us around Iloilo that day.


(During the Spanish times, most Filipino homes were made of wood or nipa. Houses made of stones could only be afforded by illustrados, or the illustrious rich families.)



(This ancestral home is open to the public, and visitors are advised to call in advance to reserve if  they're coming in large groups. I just called an hour before our arrival to make sure they were open that day; and since there were only the three of us, we were immediately welcomed when we got there.)


(The bust on the corner is that of Ramon Avanceña, the Chief Justice of the Supreme Court of the Philippines from 1925 to 1941 during the American Occupation. He was appointed to the Supreme Court by the US President, Calvin Coolidge. Justice Avanceña resigned at the start of the Japanese Occupation.)


(Even before the Spaniards came, local Philippine tribes already knew how to weave colored fabrics using banana, abaca and other indigenous materials, which they dyed into various colors. The more colors your woven fabric had, the more difficult it was to make. That's why only the rich tribe members could afford to wear such multi-colored costumes and had draperies in their homes. The Avanceña family made their fortune from weaving, and you can actually buy these woven fabrics, which you can wear as 'patadyong' or wrap-around dress.)



Mrs. Luth Saludes Camiña, the 4th generation member of the Melecoton-Avanceña clan and the lady in charge, welcomed us into her ancestral home. After I told her I was from Victorias City, she told me that she bought a lot of railroad ties from Victorias to make wooden floors because the molave wood from those ties were very strong and sturdy.


(The family's collection of bowls and plates include from the 12th- and 13th-century bowls, Mings, celadon, Vietnamese ceramics, and other priceless potteries. This proves that trade between the Philippine tribes and neighboring Chinese and other Southeast Asian settlements was active and flourishing centuries before colonial powers arrived in the Philippines.)

Looking at these centuries-old earthanwares, I think the makers didn't expect the user of their products to eat much. Perhaps, they underestimated some people's huge appetite. Ha-ha-ha! 

(This piano, according to Mrs. Camiña, has been providing entertainment and musical lessons to the family since 1895. During the American Occupation, this musical instrument was probably busy every night entertaining American generals and soldiers, whose night life might have been limited to singing and dining at an illustrado's house, as well as spending time with local lasses and mosquitoes in the dark. Ha-ha-ha!)

So if you're visiting Iloilo City in the Philippines, I highly recommend you drop by Camiña Balay nga Bato (Camiña House of Stone). You'll be able to get a glimpse of Iloilo's rich cultural past as well as the taste of homemade tablea tsokolate and pancit molo.

Here's the heritage home's Facebook page for details:

https://www.facebook.com/Cami%C3%B1a-Balay-nga-Bato-in-Iloilo-168040663293755/

Tuesday, 4 April 2017

Professor Butch Dalisay And Writing in Hiligaynon

I met Professor Butch Dalisay in Seoul last year. Professor Butch is a literary giant with a truckload of award-winning works to his name. He's a professor at the University of the Philippines and is a Carlos Palanca award hall-of-famer, having won it 16 times. The Carlos Palanca Awards for Literature are the Philippine version of the Pulitzer Prize.
                  (Ambassador Raul Hernandez 
                   welcomes Professor Dalisay)

I'm a big fan of award-winning writers. Such creativity! And their solid grasp of the English language and writing styles! Perhaps, if only I were an English major, I would have felt more confident with my writing. But I majored in Economics and Accounting. So, instead, throw me your billions, and I will count them for you with my eyes closed. Ha-ha-ha!

I also remember my English teacher in college at La Salle, Dr. Elsie Coscolluela, who also has several Palancas to her name.

               (Professor Butch being presented 
              with a gift by Ambassador Hernandez)

But during Professor Dalisay's talk with us Pinoys in Seoul, he told us that the best Filipino novel won't be written in English, but in Pilipino. 

The Professor's right. The great novels of the world were originally written in the native tongue of the writer. So, perhaps, the Filipino writer who will eventually write this great Filipino novel is not an English major, but a Filipino major? Hmm. Does this give me a chance? Ha-ha-ha!

                    (Ambassador Hernandez with 
                     Professor and Mrs. Dalisay)


And as Professor Butch told us that Hiligaynon, or commonly known as Ilonggo, the dialect spoken in our region, is actually classified as a language, this gave me an idea. 

Maybe I should write one short story in Hiligaynon. Who knows? This could win me a Palanca some day. Naks! It doesn't hurt to dream, does it?

That day, I asked Professor Butch to autograph my copy of his short story Heartland, that won first prize in the 1982 Carlos Palanca Awards. 

I hope with his autograph, Professor Butch brushed his good luck on my future Hiligaynon attempt at a Palanca. 

Suguran tá karon magsulat.:-)

Sunday, 2 April 2017

Bot-ong Kag Tablea Tsokolate!


"Ay abaw! Kanamit guid sinâ!"

That would be a normal reaction of someone coming face-to-face with a plateful of bot-ong and a warm cup of tablea tsokolate.

Bot-ong is a Philippine delicacy made of glutinous rice that was cooked by steaming it with coconut milk while wrapped in coconut leaves. Some would sprinkle it with brown sugar, others would use latik, a sweet sauce made of grated coconut meat caramelized in brown sugar and coconut milk.

But for me, dipping a slice of bot-ong in a warm tablea tsokolate would be a yummier option: the chocolate flavor of the drink mixed with the bland, yet creamy bite of the soft, sticky rice in your mouth brings out a harmonious taste of home and culture.


"Ti, maka-on 'ta!"

Friday, 31 March 2017

Don Bosco's Mary, Help of Christians

I was rummaging through some old stuff when I stumbled upon this extra colored print of the painting of Mary, Help of Christians that stands right at the altar of the Basilica di Maria Ausiliatrice in Don Bosco Valdocco in Turin, Italy.

I had another copy of this print but after a few years inside a picture frame, it faded. I was glad I found this extra print. These prints I bought from the bookstore next to the Basilica in Turin.

So I brought it to the local shop that laminated photographs and had it encased in a sealed, sturdy, plastic lamination to prevent it from losing its grandiose colors. After all, the painter who created this masterpiece over three years had wanted everyone to see Don Bosco's dream in a resplendent presentation and in a spectacle of colors.

This was the description of the painting according to the Don Bosco website:

"The Virgin standing out in a sea of light and majesty, surrounded by a horde of angels paying homage as if to their queen. With her right hand, she holds the sceptre, the symbol of her power, and with the left, the child with its arms open wide, offering its grace and mercy to those appealing to the majesty of his mother.

Around and below them are the Apostles and the Evangelists in a state of s
weet ecstasy, almost exclaiming: ‘Regina Apostolorum, ora pro nobis’, they contemplate the Holy Virgin in amazement. At the bottom of the picture, there is the city of Turin with the sanctuary of Valdocco in close up and with Superga in the background. The picture’s greatest value is the religious ideal that makes a pious impression on whoever admire it."

This painting, as commissioned by Saint John Bosco himself from the Italian painter Lorenzone as he saw in his dream, now sits at the main altar of the Basilica di Maria Ausiliatrice, which was consecrated in 1868, and is the Mother Church of the Salesian Family from which every year missionaries leave for the farthest ends of the world.

This painting was granted a canonical coronation by Pope Leo XIII on May 17, 1903, that officially conferred on it the title of 'Mary, Help of Christians'.

Having been educated in Salesian schools since I was 6, I was very familiar with this picture. The image was everywhere at school and on estampitas given to us. This vision of Mary holding Jesus and a scepter, and standing on a white cloud and surrounded by angels, Apostles and Evangelists, and looking down on a big church, which I thought was St. Peter's Basilica when I was young, fascinated me. I only learned that the 'big church' was the Basilica of Mary Help of Christians when I read about the painting.

And when I had the chance to travel to Italy years ago, I made sure I visited our Salesian Mother Church in Turin. I thought, since I was already in the country, why not travel north to Turin for a couple of days? 

And on that morning when I sat in front of the altar of the Basilica di Maria Ausiliatrice (Basilica of Mary Help of Christians) in the Don Bosco Valdocco area of Turin, praying in silence and in awe, I could not believe where I was and the surreal vision that was before me.

From my memory of this painting during my schools days at Don Bosco in Victorias, to my pilgrimage to the Basilica of Mary Help of Christians, and then back home, bringing with me this colored print of the painting, I traced the path of countless Salesian missionaries who traveled from this Church and into the hearts of young boys, bringing faith, education and virtues of a Bosconian.

Mabuhay to all Bosconians all over the world!

Thursday, 30 March 2017

A Pinoy @ The Movies: Kong: Skull Island

I thought the big ape was killed when he fell off the Empire State Building. It turned out, he was resurrected in this movie Kong: Skull Island.

Unlike King Kong, set in the 1930s and where Jack Black brought a complete team of film crew to the Skull Island, this time, in the Kong: Skull Island, Samuel L. Jackson brought a military team, instead of The Avengers.

And that team just didn't include ordinary actors, Jackson brought along Brie Larson, Academy Award winner for Room, and Tom Hiddleston, Loki himself!

Although the whole film revolved around Jackson's resolve to avenge the death of his dead soldiers on the big ape, I just kept on wondering why both the Russians and Americans weren't able to discover this island, when at that time, before the 1970s, both countries had already sent men into outer space.

Although the action scenes between ape and humans, and between ape and other big creatures kept me entertained, it was the costumes and make-up of these ethnic tribes living in the island that impressed me. Very creative. And you should see the graffiti art inside their hallowed ground inside an old ship. The tribesmen's acting though was just sad. The big insects in the film were better actors.

As expected, Brie Larson and Tom Hiddleston were credible even as they shared the billing with a furry primate in costume, and even as they hadn't bathed nor brushed their teeth in days while in the island. 

I preferred that 2005 King Kong film over this 2017 Kong: Skull Island. That was more enchanting and suspenseful, and made more sense.

In this one, Samuel L. Jackson was like Donald Trump, unreasonable and always thought about himself, when, in fact, there was something bigger (or bigly!) than himself. 

Go watch if you have nothing else to do.